Hotel de ville, Ypres by Cundall & Fleming

Hotel de ville, Ypres before 1866

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drawing, print, photography, albumen-print

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drawing

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print

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landscape

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photography

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cityscape

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albumen-print

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building

Dimensions: height 114 mm, width 175 mm

Copyright: Rijks Museum: Open Domain

Curator: This captivating albumen print, "Hotel de ville, Ypres," dating from before 1866 and created by Cundall & Fleming, gives us a glimpse of a bygone era. What strikes you about it immediately? Editor: The image projects such a delicate melancholy. The architectural detail is intricate, yet the muted tones give it an almost ghostly presence, like a memory fading away. Curator: Indeed. The albumen print process itself lends a particular quality. Created by coating paper with albumen—egg white—and silver nitrate, it offered a way to produce highly detailed images. Think of the labor involved, collecting, separating, and preparing eggs in that quantity! The final result highlights the play of light and shadow on the building's surface. Editor: And that surface is crucial! Notice how the towering façade, with its repetition of arches and spires, echoes established symbolic structures, speaking of civic pride and stability. It becomes an emblem of community identity. Curator: Considering Ypres’ tumultuous history, particularly its near total destruction in World War I, this image carries a poignant historical weight. The very process used is an effort to arrest the slow decomposition, inherent to both our built environments and social and political structures. Editor: Absolutely. Before the war, Ypres was a prominent textile center and its town hall stood as a potent symbol. By capturing this majestic facade, Cundall & Fleming unwittingly documented a doomed visual icon, and also inadvertently highlights the universal ephemerality of the image itself. Curator: So while its creators documented one architectural wonder of that era, this image now serves as its own form of testament, referencing how time changes materials. The work itself carries signs of wear too. Editor: And that’s a powerful reminder that every photograph isn’t just an artwork, but a portal into layered historical narratives. Curator: Quite right. Seeing this in light of what came after makes you consider the changing landscape of materials in wartime. Editor: Ultimately, "Hotel de ville, Ypres" exists as a material document of visual significance.

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