Vrouw wordt bij een man weggehaald door een soldaat, bij nacht by Reinier Vinkeles

Vrouw wordt bij een man weggehaald door een soldaat, bij nacht 1797 - 1811

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drawing, print, intaglio, engraving

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drawing

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narrative-art

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print

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intaglio

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figuration

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pencil drawing

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soldier

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romanticism

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history-painting

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engraving

Dimensions: height 237 mm, width 157 mm

Copyright: Rijks Museum: Open Domain

Curator: Brrr, the moon casts a theatrical pallor over this scene, doesn't it? Editor: Indeed. We're looking at an intaglio print by Reinier Vinkeles, dating from around 1797-1811. It's titled "Vrouw wordt bij een man weggehaald door een soldaat, bij nacht"—A woman being taken from a man by a soldier at night. And the title certainly doesn't sugarcoat things. Curator: No, it's as direct as a blow to the heart! The woman’s gesture is everything. Desperate, imploring. She's reaching, almost yearning. You can almost hear the rustle of silk, the frantic whispered pleas... Editor: And what’s fascinating is how Vinkeles frames this moment. He is drawing on very old tropes around virtue and nation, I think, given this period. This intimate moment plays out in the broader theatre of political and military life. The woman’s agency is denied because she’s now a symbolic pawn. Curator: Do you see a narrative playing out beyond the immediate scene? Editor: I do. The dark romanticism—the moonlit garden turning sinister. This feels ripped from an opera or a novel. There's a feeling of profound disruption— the home invaded, the lovers torn asunder. Curator: And there’s such a contrast. A bit awkward. You know, this romantic setting clashing with what looks like a rather clumsy abduction! But the raw feeling carries the scene. Editor: Absolutely. And to think of this image circulating during that time…What did it conjure for people living through upheaval and constant warfare? What are the notions about patriotic loyalty, male-female dynamics being invoked and also, disrupted? Curator: It’s the power of suggestion. To invite us to fill in the missing scenes and craft a full tragic play. Editor: A play about so much more than just these three individuals, ultimately. That speaks to so much broader notions about history and agency. Curator: This is truly food for thought. Thank you for guiding us to look through different lenses. Editor: My pleasure! The conversation itself opens pathways.

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