Scheepsbemanning dobbelt op het dek van een schip by Henri François Schaefels

Scheepsbemanning dobbelt op het dek van een schip 1848

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drawing, print, ink, engraving

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drawing

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narrative-art

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print

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pen sketch

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ink

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genre-painting

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engraving

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realism

Dimensions: height 121 mm, width 157 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Scheepsbemanning dobbelt op het dek van een schip," or "Ship's Crew Gambling on the Deck of a Ship," created in 1848 by Henri François Schaefels. It's an engraving showing a group of sailors engrossed in a dice game. The scene feels… oddly relaxed, considering they’re on a ship. What strikes you most about this piece? Curator: The enduring human impulse for games of chance, for one. Look at how the artist captures the anticipation and drama inherent in their shared ritual. Gambling, like maritime life itself, becomes a metaphor for navigating uncertainty. Each toss of the dice, each voyage into the unknown. Consider, too, the larger ship as the vessel through life’s capriciousness, and the cultural memory this evokes. What kind of ship do you think it is? Editor: It looks like a warship from the 19th century, maybe? Given the uniforms and the weapons nearby. Do you think the artist is commenting on the lives of sailors? Curator: Yes, perhaps on their down time in this detailed snapshot of daily maritime life. Their faces aren't idealized, but neither are they demonized. Schaefels is not merely representing an activity but is portraying humanity seeking distraction. Think about the dog present in the scene too. The presence of an animal connects the crew to the familiar comforts of home. Where do you see parallels between then and now? Editor: That makes sense! I guess people always found ways to unwind, even in demanding circumstances. It’s easy to overlook the quiet moments like these, but they tell us a lot. Curator: Absolutely. And, thinking about those cultural symbols embedded in nautical imagery, you might recognize how these continue to appear even today. Every image tells a tale of emotional investment, wouldn’t you agree?

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