Derniere heure de la Baronne de Rebecque 1780

Augustin de Saint-Aubin created this engraving, "Last Hour of the Baroness de Rebecque," in France during the late 18th century. In this period, death was a very public event, particularly for the aristocracy. This image presents us with both an intimate and performative representation of dying, carefully managed through costume and setting. The Baroness is depicted wearing an elaborate bonnet and ruffled collar, surrounded by what appears to be equally ornate pillows. The visual codes signal wealth, and the careful presentation suggests a desire to control the narrative of her final moments. Consider the role of portraiture in memorializing individuals and solidifying social status. This image, circulated as a print, likely served to reinforce the Baroness's position within French society, even in death. As historians, we can delve into archival records, genealogical research, and period literature to better understand the Baroness's life, her social circles, and the cultural norms surrounding death in 18th-century France. We can then better understand how art is contingent on social and institutional context.