Dimensions: support: 1090 x 890 mm
Copyright: © Paul Graham; courtesy Pace and Pace/MacGill Gallery, New York | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Paul Graham’s large-scale photograph, "Television Portrait (Danny, Bristol)," captures a child absorbed in television. The support measures 1090 by 890 millimeters. Editor: It has a quiet, contemplative mood. The child, bathed in soft light, seems almost isolated against the backdrop of the striped couch and pale walls. Curator: Structurally, note the careful balance. The vertical lines of the door and radiator contrast with the horizontal stripes of the sofa, creating a visual rhythm. Editor: But that rhythm has a kind of melancholy to it, doesn't it? Like a lullaby with a slightly off-key note. What's he watching? What is he dreaming about? Curator: The composition directs our attention to the child's gaze, inviting us to ponder the relationship between the viewer and the viewed, the child and the television. Editor: Ultimately, it's a striking portrait of childhood in the age of television, hinting at the mesmerizing power of the screen. Curator: Precisely. Graham's work encourages a deeper examination of contemporary existence, its nuances and contradictions.
http://www.tate.org.uk/art/artworks/graham-television-portrait-danny-bristol-p77636
Join millions of artists and users on Artera today and experience the ultimate creative platform.
Many of Graham’s works reflect on socio-political issues. In contrast, his Television Portraits are surprisingly intimate and domestic. The series began with a spontaneous photograph of the artist’s flatmate, and extended to include images of people watching television all over the world. Although they meditate on the power of mass media and the ubiquity of television, the television is not visible in any of the photographs. Gallery label, May 2010