Card Number 163, Emma Corson, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes by W. Duke, Sons & Co.

Card Number 163, Emma Corson, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes 1880s

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drawing, print, photography

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portrait

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drawing

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print

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impressionism

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photography

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19th century

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genre-painting

Dimensions: Sheet: 2 5/8 × 1 7/16 in. (6.6 × 3.7 cm)

Copyright: Public Domain

Editor: Here we have Card Number 163 featuring Emma Corson, part of the Actors and Actresses series from the 1880s by W. Duke, Sons & Co. It seems to be a print based on a photograph, made to promote Cross Cut Cigarettes. It's amazing how clear the details are, despite being a mass produced image! I'm really struck by how the artist plays with light and shadow. How would you interpret the visual composition of this piece? Curator: Observe how the artist manipulates the tonal range to guide the viewer's eye. The bright, almost theatrical illumination of Corson herself contrasts starkly with the muted background, a deliberate strategy to isolate her form and amplify its presence. Note, too, the careful placement of the text, balanced against the figure to create an almost classical division of space. What meaning might we derive from this contrast? Editor: So, it’s almost like they're creating a stage effect within this very small picture plane, using light and placement to direct our attention. Curator: Precisely. The texture of the print itself adds another layer, doesn’t it? Notice how the ink lies upon the surface, creating tiny peaks and valleys that subtly alter our perception of light and form. This physical interaction, this tension between surface and image, what does it tell us? Editor: It speaks to the deliberate artifice. It isn't just a reproduction, it's a crafted object. I hadn't really considered the texture as a key design element! Curator: Understanding the materiality unlocks another dimension, allowing us to decode the intentionality behind every mark and choice. Editor: Thinking about the interplay between image, text and texture is helpful, framing what can easily be overlooked!

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