Bruiloft in ruimte met planten c. 1890 - 1910

This stereoscopic photograph, "Bruiloft in ruimte met planten," by Sébah & Joaillier, is an albumen silver print. In the nineteenth century, this process used the albumen found in egg whites to bind the photographic chemicals to paper. Photography emerged as a technology inextricably linked to mass production, consumerism, and the rise of capitalism. Each print is essentially a copy; here, doubled in this stereoscopic format, which when viewed through a special device gives the illusion of three-dimensionality. The inherent material qualities of albumen prints - their sepia tones and smooth surfaces - evoke a sense of nostalgia, even when the subject is not personally familiar to us. It allows us a glimpse into a world that no longer exists. The very act of capturing a wedding within an elaborate indoor garden, then reproducing and distributing the image, speaks to broader social and economic shifts. Considering the cultural and economic implications of the processes involved gives us a more comprehensive appreciation of the photograph, prompting us to question how technological advancements affect artistic expression and shape our perceptions of history and class.