Amor door een bij gestoken, klagend bij Venus by Jan van Vianen

Amor door een bij gestoken, klagend bij Venus 1686

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print, engraving

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allegory

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baroque

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print

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old engraving style

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landscape

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figuration

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history-painting

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engraving

Dimensions: height 145 mm, width 95 mm

Copyright: Rijks Museum: Open Domain

Curator: Looking at this engraving, created around 1686 by Jan van Vianen, titled "Amor door een bij gestoken, klagend bij Venus"— "Cupid stung by a bee, complaining to Venus," a literal translation—I am struck by the sheer abundance of activity happening in a compact frame. What’s your initial take? Editor: It evokes this melancholic air, like a pastoral scene tinged with the realization that even paradise has its thorns—or, in this case, stingers. The use of light and shadow is stark; it emphasizes the figures but also gives the entire scene a kind of heavy gravity. Curator: Exactly! It's Baroque after all. It's more than just a pretty landscape; it’s riddled with symbolic tension. I find it delightfully ironic – love, represented by Cupid, stung and seeking comfort from Venus. It’s like, "Mom, love hurts!" Editor: Precisely, and we can dive a bit deeper. The bees could symbolize the pain intertwined with pleasure, a recurring theme, especially considering how sexual power gets policed. I also observe the figures—their nudity certainly has symbolic value rooted in Classical aesthetics—but they are rendered in very gendered ways, right? Curator: Oh, definitely. Venus embodies the protective mother figure. It feels rather tragic actually—even goddesses, even love itself, are not immune to the little stings of life. Editor: And perhaps that's the brilliance of this relatively small print. Van Vianen presents these classical figures in a landscape that hints at something universal about how we relate to pleasure, pain, protection, even disappointment. The architectural structures off to the left seem so grounded while everything in the foreground suggests constant change and flux. Curator: I love that; that friction between something solid and ephemeral gets at a bittersweet human quality. For me it resonates most with the feeling of "paradise lost." Thanks for putting words around this piece with me today. Editor: My pleasure entirely! It has been a thought-provoking discussion, I leave seeing more clearly.

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