En gammel brønd på Møn by Simon Ludvig Ditlev Simonsen

En gammel brønd på Møn 1878

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print, etching, graphite

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ink paper printed

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print

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etching

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landscape

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graphite

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realism

Dimensions: 115 mm (height) x 157 mm (width) (plademaal)

Curator: Today, we're looking at Simon Ludvig Ditlev Simonsen's etching from 1878, "An Old Well on Møn." It's currently held at the SMK, the National Gallery of Denmark. Editor: Immediately, I'm drawn to the stark, almost haunting quality of the landscape. The restricted palette and the delicate etching create a rather somber mood, despite the apparent rural subject. Curator: Absolutely. Think about the societal context: the late 19th century saw massive changes in rural life. This well, rendered so meticulously, becomes a poignant symbol of a disappearing way of life, one intimately connected to the land. How are we valuing labor, what constitutes progress, and who is left behind? The piece is suggestive of displacement. Editor: I'm more taken by the formal qualities: how Simonsen guides our eye. Notice the texture achieved with closely laid lines. The well's structure, composed with such linear precision, leads toward a blurred, almost indistinct background. It's like a dialogue between the tangible and the ethereal. It shows an intriguing negotiation between structure and its dissipation. Curator: It makes you wonder about access to resources. Who used this well, and what was its role within the larger social fabric of Møn at that time? Editor: Speaking of fabrics, consider how he renders the hay bales – that wonderful softness amid the architectural rigidness. It’s a clever contrast! Also, the very distinct horizontal layering helps move your eye into the depth of the image. Curator: I am compelled by how we must understand landscape beyond its aesthetic appeal, interpreting it as a social text revealing the interconnectedness between people and the environment, particularly when we address matters such as agriculture. The etching challenges notions about land ownership and labor practices. Editor: Ultimately, Simonsen crafted a very sophisticated study in contrasts. Dark and light, defined and diffused – a work that yields greater subtleties with prolonged viewing. Curator: It reminds us of the human stories intertwined within even the simplest landscape.

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