The Artist’s Mother by  Mark Gertler

The Artist’s Mother 1911

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Dimensions: support: 660 x 559 mm frame: 873 x 785 x 87 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is Mark Gertler's "The Artist's Mother," a portrait at the Tate. Her hands are clasped, her gaze direct – there's a profound sense of melancholy. What symbols do you find particularly striking? Curator: Notice how the darkness of her dress contrasts with the delicate lace and jewelry. These elements carry generational memory – a tie to tradition, perhaps, yet tinged with a sense of loss or restraint. Editor: Loss? Why loss? Curator: Consider the tight clasp of her hands. Does that suggest comfort or a kind of protective posture? The jewelry, almost like teardrops, suggests that both beauty and sorrow can be intertwined in familial bonds. Editor: I didn't think about that. It is much more complex now. Curator: Indeed. Images often hold layers of meaning, reflecting the cultural and psychological weight of the subject. Editor: Thanks for helping me see these symbolic depths.

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tate's Profile Picture
tate 7 days ago

http://www.tate.org.uk/art/artworks/gertler-the-artists-mother-n05557

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tate's Profile Picture
tate 7 days ago

Gertler was born in Spitalfields, London, and studied at the Slade School of Art from 1908 to 1912. In his student years, he painted many portraits of his family, the majority of which are of his mother, Golda. His letters of the time reveal how much her simplicity and stability mattered to him. She in turn followed her son's career with great interest. Gertler wrote 'Her entire happiness is bound up in my progress'. The many paintings and drawings which Gertler made of his mother between 1911 and 1913 span a range of pictorial styles, each becoming more bold and simplified. This portrait, the first of the series, presents Golda in the usual naturalistic style of the Edwardian period. Gallery label, September 2004