Thomas Morell, S.T.P.- S.S.A. 1762

Editor: Here we have James Basire the elder's 1762 engraving, "Thomas Morell, S.T.P.- S.S.A," currently housed in the Metropolitan Museum of Art. There’s a lovely domestic feel to the setting, though it is quite formal in its presentation. I'm particularly struck by the textures Basire achieves through the engraving technique. What captures your imagination in this work? Curator: For me, it's all about Morell’s presence. He's presented as a man amidst his work, almost caught in a moment of reflection. See how the lines of the engraving define not just his physical form but the very *air* around him? Almost like a snapshot into a scholar's inner sanctum, wouldn't you say? Are we privy to genius at work, perhaps? Editor: Absolutely! There's such meticulous detail in the folds of his clothing and the instruments on the desk, like the inkwell and the quills. How does Basire use line to convey not just detail but also character? Curator: Aha, character. Exactly. Basire's genius, for me, lies in rendering the *essence* of Morell, his intellectual vitality if you will. Look closely – notice how his eyes seem to be peering at something beyond the paper he’s working on? It speaks volumes, doesn’t it? A dialogue perhaps? With words that will eventually become things? Editor: I see what you mean. It feels like more than just a portrait; it's an invitation into a moment of profound thought and inspiration. And the organ pipes in the background and medal on the wall. Did these help characterize Morell? Curator: You hit on something significant! These subtle elements build Morell’s identity; the organ speaks to his creativity, and the medal speaks to his honor and distinction. He wasn't *just* a face. See how it is always more? More of the soul, more of his achievements! That’s why I keep coming back. How about you? Editor: I hadn’t thought of it like that, but now I feel like I know Morell! Thank you! Curator: Likewise, I believe I now see what really speaks to you. Fascinating!