Dimensions: 41.3 x 57.0 cm
Copyright: Public Domain
Karl von Pidoll painted this double portrait of Heinrich Pallmann and Heinrich Weizsaecker using oil on canvas. The two men stand side by side, each in a dark suit, against a view of Frankfurt where the painting was made. Looking closely, we can see how the cultural context of Imperial Germany shaped this image. The formal attire and serious expressions speak to a society that valued respectability and social standing. The detailed background showing Frankfurt’s architecture situates the figures within a specific time and place. Given the lack of historical context of the figures portrayed in this image, the portrait prompts questions about who was able to access and shape the cultural institutions of the time. It is a fine example of the kind of portraiture supported by the German art world and its patrons. To understand the painting further, we might explore the lives and careers of Pallmann and Weizsaecker and the role they played in the city. Museum archives, historical societies, and biographical databases can all help us to understand the networks of patronage that supported artists like von Pidoll.
Heinrich Weizsäcker, former Director of the Städelsche Kunstinstitut, and his colleague Heinrich Pallmann are standing in the garden of the museum. While Weizsäcker is focussing on the onlooker, Pallmann is directing his gaze to the side. Despite their physical closeness the two men appear isolated; the setting is nothing more than a backdrop. In 1891 Heinrich Weizsäcker took on the position of director, when he was only 29 years of age. After Henry Thode he was the first art historian to hold this position. During Weizsäcker’s time in office Heinrich Pallmann was head of the library and the department of prints and drawings.
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