Profilportræt af kunstnerens datter "Bimse" 1868 - 1928

Curator: This work, residing here at the SMK – Statens Museum for Kunst, is titled "Profilportræt af kunstnerens datter 'Bimse'". It’s an ink drawing, seemingly a pen sketch, created sometime between 1868 and 1928 by Peter Hansen. Editor: The stark black ink against the paper's warmth gives it an immediacy, doesn’t it? Raw and very intimate. Curator: Yes, that rawness speaks volumes. Portraiture has always served as a powerful vehicle for exploring not only likeness but also the deeper psychological landscape of the sitter. Given it's his daughter, the artist seems to have sought to immortalize a fragment of time. Consider how fatherhood, the artist, the sitter's story all mingle into a new personal icon. Editor: The repetitive, almost scribbled lines forming her cheek, for instance. Notice the lack of meticulous blending – it emphasizes form through contrast, a dialectic tension between light and dark. Curator: That’s a striking observation. This could represent the artist’s personal symbolism of the familial connection - seeing one's child and seeing part of oneself simultaneously. Or even Hansen trying to depict the transitory, ineffable quality of youth, capturing Bimse before time transformed her, hence a sketch, and not a definitive oil painting. Editor: Exactly. The heavy shading around her hair creates a kind of halo effect, even if quite dark, paradoxically obscuring some details while highlighting the precision used to capture her eye or lips. Curator: It is an image imbued with memory; childhood itself rendered as a precious artifact through simple ink and paper. I see also the strong lines and the gaze averted: what this child represents as subject in art. Editor: Well, examining the composition reveals an emphasis not merely on what is present but equally on what's suggested—the untold narratives behind that solemn gaze and subtle half smile. I do agree with that sentiment about fleeting moments—art, after all, is inherently about preservation and reconstruction. Curator: This drawing leaves us to wonder at both the fleeting nature of childhood and the permanence offered by the artist's touch. It is about time. Editor: It speaks about visual experience, materiality, and the conceptual layering within what appears simple and accessible at first glance, like most portraits do, at least formally.