metal, relief
portrait
medieval
metal
relief
ancient-mediterranean
islamic-art
Dimensions: diameter 1.2 cm, weight 0.35 gr
Copyright: Rijks Museum: Open Domain
Curator: This is a Dutch penny dating from 1222 to 1234, a small metal relief featuring Floris IV, Count of Holland. Editor: It has such a somber, almost ghostly quality, doesn't it? The metal is worn, giving it an air of antiquity and… impermanence. It looks incredibly tactile despite the flat image. Curator: Absolutely. Though small in scale, the coin was an incredibly important symbolic tool. The image of Floris IV wasn’t just a portrait. The figure projected power and legitimacy. It was a little billboard of authority circulating within the medieval world. Editor: It's interesting how the design blends secular and perhaps religious ideas. I mean, look at how the figure is rendered: the iconic profile evokes classical coin imagery but the overall aesthetic aligns more with early medieval art. One wonders how the visual language shaped perceptions of Floris's rule. Curator: Precisely. Medieval coinage was fascinating. Because most people were illiterate, rulers depended on visual communication to convey their authority. It speaks to the medieval reliance on images to negotiate socio-political realities. A medieval penny isn't simply a form of payment; it is propaganda in its purest form. Editor: Thinking about its original context, passed from hand to hand, worn smooth by touch, each coin carrying this message of governance to ordinary people… I suppose that grounds the story, providing insight into the everyday lives of medieval Hollanders. It's more than art; it's lived history. Curator: That's a perspective I deeply appreciate. These kinds of pieces are a cultural looking glass reflecting collective memory across the ages. Thank you for spotlighting its broader significance beyond just the aesthetic. Editor: My pleasure. I think its melancholic weight, especially as such an ordinary item, continues to resonate profoundly.
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