Studies for birds and grotesque masks (recto); candelabra grotesques, ewers and vases (verso) 1540 - 1550

Andrés de Melgar created these studies of birds and grotesque masks, and candelabra grotesques, ewers and vases, using pen and brown ink, with brown wash, on laid paper. The relatively humble materials belie the intricacy of the designs. Look closely, and you can see the laboriousness of the artist’s process. The delicate lines, built up through patient effort, gradually give form to a series of fantastical creatures and ornamental objects. The materiality of the ink allows for subtle gradations in tone, creating depth and volume in the composition. This sheet likely served as a pattern book for metalworkers or sculptors. It exemplifies the close relationship between drawing and production, where the hand of the artist directly informs the creation of functional and decorative items. Melgar's elegant sketches bridge the worlds of fine art and craft. The artistry is not solely in the concept, but also in the skillful execution and meticulous craftsmanship.