Zes staande apostelen (?) 1668 - 1671

Editor: Here we have Jan de Bisschop’s "Zes staande apostelen (?)" or Six Standing Apostles, created with pen and ink between 1668 and 1671. It has a distinctly sketch-like feel, and I’m really struck by how much expression he manages to convey with so few lines. What's your interpretation of this piece? Curator: Well, considering its history, drawings like these often functioned as models for larger works, circulated amongst artists for study and emulation. Think of them as visual arguments – promoting a certain style, a specific approach to depicting religious figures. De Bisschop, deeply influenced by Italian Baroque, used these drawings, these "brieven" as he called them, to advocate for a more classicizing style within the Dutch context. Editor: Brieven? That’s "letters," right? So were these drawings shared quite widely? Curator: Precisely. These weren't private sketches hidden away, but rather deliberately produced images meant to shape artistic discourse. Consider the socio-political implications. The Dutch Republic, still relatively new, was crafting its cultural identity. A classical style, reminiscent of the Roman Republic, perhaps subtly reinforced republican ideals. De Bisschop strategically positions his work within this evolving artistic and political landscape. Does that influence your view? Editor: It does. Thinking of it as a statement changes everything. I was just appreciating the line work, but now I see it as part of a larger cultural conversation. Curator: And remember the "(?)", it suggests even at the time, the precise identity and representation of the apostles was a fluid and debated topic. A vital part of that broader historical moment, now available to see here at the Rijksmuseum! Editor: I hadn't even noticed the question mark. Thanks for bringing this all to light!