Suggestions for the Decoration of a Door and Window Frame, Plate 2 from 'Auβzierungen zu Thüren u. Fenster sehr nutzlich zu gebrauchen.' by Johann Sebastian Müller

Suggestions for the Decoration of a Door and Window Frame, Plate 2 from 'Auβzierungen zu Thüren u. Fenster sehr nutzlich zu gebrauchen.' 1745 - 1755

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drawing, graphic-art, print, etching

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drawing

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graphic-art

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baroque

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print

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etching

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decorative-art

Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm)

Copyright: Public Domain

Editor: This is plate two from Johann Sebastian Müller's *Suggestions for the Decoration of a Door and Window Frame,* made between 1745 and 1755. The etching offers these incredibly ornate, baroque-style designs, and it strikes me how theatrical they appear. What social function did these designs play back then? Curator: It's less about high drama and more about reflecting the social and political aspirations of the patrons. The baroque style, with its emphasis on opulence and grandeur, served as a visual language to communicate power and status. Who do you think these images are intended to inspire? Editor: Well, the obvious answer seems like the aristocracy or the wealthy merchant class... anyone who could afford such elaborate ornamentation. Is it simply a question of wealth, or were there other layers to its meaning? Curator: Absolutely, it’s not simply wealth, it’s about projecting an image. Think of these designs not just as decoration, but as tools for shaping perception. Aristocrats and wealthy merchants used these elaborate architectural elements to project an image of sophistication and divine right. And consider who had access to images like this one - they were meant for the consumption of those in power. Do you think that understanding changes how we interpret the style now? Editor: It certainly adds a new dimension! Seeing it as a conscious construction of power makes it more than just aesthetic. Knowing who could afford it, who was meant to admire it, really impacts my understanding of the social role of this imagery. It shows that what we often regard as mere ornamentation carries deeper socio-political implications. Curator: Exactly. And perhaps looking at how these images are displayed today, in museum settings, we can reflect on how our own institutions play a role in continuing to shape these narratives. Editor: That's a really valuable point. It's all interconnected!

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