Adelaide Stanley as Kate in 'The Two Bouquets' (from the Play by Herbert Farjeon) 

Ethel Léontine Gabain captures Adelaide Stanley as Kate with oil on canvas, embodying the spirit of Herbert Farjeon’s play. Notice the theatrical costume, the elaborate pink hat with feathers, and the delicate lace ruffles. These elements speak to the performance within the artwork. Consider the cane Stanley holds. It is a symbol of authority and leisure, a prop that dates back to ancient times, evoking scepters of rulers. Throughout history, the cane has transformed from a mark of divine right to a fashion accessory, reflecting societal shifts and the evolving nature of power. Here, the cane’s presence stirs a subtle dialogue between personal agency and constructed identity, inviting us to reflect on how we use symbols to express ourselves. The scene conveys a psychological drama, capturing a moment of introspection and self-awareness. The image is a tableau vivant, where the symbolic weight of each element evokes a chain of cultural memories, revealing the intricate dance between past and present.