"Two Old Men in Discussion Outside a Hut", Folio from the Davis Album by 'Ali Quli Jabbadar

"Two Old Men in Discussion Outside a Hut", Folio from the Davis Album 1649 - 1700

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painting, gouache, ink, mural, architecture

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portrait

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painting

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gouache

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landscape

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ink

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islamic-art

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mural

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miniature

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architecture

Dimensions: Page: H. 13 1/8 in. (33.3 cm) W. 8 1/4 in. (21 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm)

Copyright: Public Domain

Curator: I’m drawn to the stillness of this miniature. It has such a calming effect. Editor: Yes, it’s a work titled "Two Old Men in Discussion Outside a Hut," a folio from the Davis Album. It was created between 1649 and 1700, and is attributed to 'Ali Quli Jabbadar. Currently, it resides here at the Metropolitan Museum. It's a blend of ink, opaque watercolor, and gold on paper. Curator: The positioning of the two men, their clothing, and that subtle shooting star gives the impression of the passage of time. The use of that simple color palette communicates a feeling of muted wisdom. And I can't overlook that charming white cat near the elder in green! Editor: The presence of these figures in a humble setting indeed challenges the grand narratives of power often depicted in art from this period. How the location, what appears to be simple dwelling, functions as an alternative space of knowledge production. It humanizes scholarship and spiritual seeking. Curator: Agreed! Even the flora along the border enhances this atmosphere of quiet contemplation, echoing a sentimentality we see mirrored in Persian poetry. The choice of blossoms — iris, rose, tulip — they each have unique ties to emotions like hope and remembrance. Editor: Exactly! And I notice how even that border, replete with flowers, situates the painting within a context of royal patronage and manuscript culture. Such folios served both a decorative and narrative function, circulated among elites, contributing to political discourse, cultural identity and aesthetic ideals. Curator: To your point, these illuminated manuscripts are not just beautiful; they represent collective aspirations, even subtle forms of resistance. Editor: This piece presents itself, finally, as a gentle invitation for us to reflect on the complexities that are implicit when Eastern and Western aesthetic traditions engage with each other. Curator: Precisely. A quiet revolution captured in a miniature world.

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