Plate 5: head of a woman, turned in profile to the right, from 'Various heads and figures' (Diverses têtes et figures) 1650

Here we see Stefano della Bella’s delicate etching of a woman's head in profile. The downcast eyes and serene expression are reminiscent of classical depictions of goddesses or nymphs, embodying a sense of idealized beauty. This motif of the averted gaze carries a rich history, appearing in various forms across different eras. We can see echoes of it, for instance, in pre-Raphaelite paintings. There, women are portrayed in contemplative, melancholic states. This stylistic choice has evolved from conveying sacredness to one of introspective depth. The averted gaze has the power to evoke empathy, inviting viewers to project their own emotions and experiences onto the subject. Consider how the subtle gesture has transformed, mirroring shifts in cultural values and psychological understanding. It has a unique capacity to elicit a powerful, subconscious connection with the viewer. It reminds us of the ever-evolving nature of symbols.