Dimensions: height 60 mm, width 84 mm
Copyright: Rijks Museum: Open Domain
Curator: This sepia photograph titled "Start van de race Parijs-Amsterdam voor automobielen", which translates to "Start of the Paris-Amsterdam race for automobiles," possibly dates back to 1898 and resides here at the Rijksmuseum. What strikes you immediately? Editor: A powerful, almost cinematic sense of anticipation hangs in the air, even through this grainy, turn-of-the-century aesthetic. You can almost feel the energy and see the drivers gearing up. Curator: Precisely. What do you see in the very iconography of these new automobiles placed alongside horses and bicycles and even the clothing of those attending? Editor: The juxtaposition is amazing. The cars themselves become almost monstrous totems here, testaments to the march of industrialization against the backdrop of a still very pastoral world. They represent technological disruption and societal change and anxiety over these things, but in a celebratory way. Curator: You have a point. The automobile symbolized power, progress, and a complete reimagining of space and time, and here we can feel its weight as it pulls from older models of power in the very same frame. The photograph captures a symbolic moment in a cultural and technological revolution. Editor: Right, and think of the photographers who documented these moments, they really held the authority and visual power for the people to believe the hype. It feels so staged in ways, doesn't it? Curator: Absolutely. Consider the clothes: hats, coats, dark clothing on everyone with hardly a colorful pattern or variation in sight! Even that conveys a mood of collective agreement and societal expectations. Editor: I like thinking about all the psychological elements tied to industrial photography in this particular time period. In my view it has to do with our deep cultural fascination with progress and the price we are all willing to pay to witness it. Curator: Indeed. Looking at the picture now, the very technology used to record this revolution, photography, amplifies the photograph's enduring commentary. Editor: Well said. It is an uncanny piece of history to be enjoyed here in person, to truly feel the impact.
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