The Stigmatization of Saint Francis c. 1575

Curator: This is Federico Barocci's "The Stigmatization of Saint Francis," a print housed here at the Harvard Art Museums. It measures only about 23 by 15 centimeters. Editor: It looks like a whispered prayer etched into parchment, all lines and longing. The earth seems to buckle beneath Francis, and the lines almost vibrate with his spiritual agony. Curator: Indeed, Barocci’s printmaking reveals a keen understanding of the material, allowing him to convey the textures of fabric and the ruggedness of the landscape with remarkable precision. The social context of Counter-Reformation piety is also palpable. Editor: I feel that the starkness amplifies the miracle, makes it feel both incredibly personal and part of a much wider, almost cosmic drama. It really invites introspection. Curator: Absolutely, the medium's inherent qualities amplify the artwork's historical and emotional resonance. The Stigmatization is a powerful visualization of faith and the artist's skillful deployment of materials. Editor: Yes, it is more than faith; it is a tangible representation of spiritual struggle and artistic vision.