The Resurrection c. 1491

Benvenuto di Giovanni made this painting of the Resurrection in the 15th century, using tempera on wood panel. Tempera involves pigment mixed with egg yolk, a technique demanding precision. Its quick-drying nature requires meticulous planning, as corrections are difficult. The smooth, matte finish and vibrant colors we see here are characteristic of tempera, achieved through layering thin glazes. Giovanni's mastery is evident in the fine details and delicate gradations of light and shadow. The choice of tempera wasn't merely aesthetic; it was deeply rooted in the artistic traditions of the time, particularly suited for devotional images. The medium itself carries a certain cultural weight, connecting the artwork to a history of craftsmanship and religious expression. The labor-intensive process underscores the value placed on artistic skill and devotion, qualities highly esteemed in Renaissance society. Looking at the painting this way, we see how its meaning is embedded in the materials, the making, and the cultural context of its creation. This challenges any separation between fine art and craft.