1843 - 1844
Nieuwjaarswens van de Amsterdamse askarrenmannen voor het jaar 1844
Anonymous
@anonymousLocation
RijksmuseumListen to curator's interpretation
Curatorial notes
Curator: Looking at this, I am struck by its warmth and simple joy; it reminds me of those intricate little pop-up cards people used to send. It has that same feeling of crafted sincerity. Editor: We’re viewing a fascinating print called *Nieuwjaarswens van de Amsterdamse askarrenmannen voor het jaar 1844* or "New Year's Wish from the Amsterdam Ash Cart Drivers for the Year 1844." It’s currently held in the Rijksmuseum and, although the artist is unknown, it provides an invaluable snapshot of everyday life in 19th-century Amsterdam. It uses an engraving to portray an urban scene, combining cityscape and genre painting, alongside typeset poetic verse in Dutch. Curator: Ash cart drivers... so like the garbage collectors of their day? There's a whole social hierarchy implied, even in a New Year's greeting. You can feel the weight of expectation from the building's residents! Editor: Absolutely, and this print, distributed to merchants, citizens and other residents of Amsterdam, functioned as both a greeting and a subtle solicitation. Ash cart drivers relied on tips, especially around the New Year, and these kinds of broadsides were common ways to ensure their services were valued and remembered. Note how this single sheet employs two very distinct modes of address, appealing both through image and through text. Curator: Look at how precise those lines are; it’s not photorealistic of course, but still incredibly descriptive. And the faces – particularly that guy yelling out of the window - possess such distinctive character, even if quickly sketched! Editor: Indeed. It’s a clever combination of visual appeal and written supplication that sheds light on the relationship between service providers and the community. It is a form of civic negotiation enacted through image and the written word. It gives a unique, first-hand glimpse into their working conditions and economic realities in early 19th-century Amsterdam. Curator: A window into another time – crafted with a mix of practicality and, dare I say, a little hopeful poetry. It's lovely to see such working-class culture preserved with such care! Editor: Exactly. This "New Year's Wish" is an artifact illustrating art's function in solidifying community bonds and its participation in subtle power dynamics. It prompts us to reconsider those who create, transport, and safeguard imagery today.