Schoolmeester, die een leerling straft by Monogrammist VDG

Schoolmeester, die een leerling straft c. 1800 - 1900

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drawing, ink, pen

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drawing

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narrative-art

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ink

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pen-ink sketch

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pen

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genre-painting

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academic-art

Dimensions: height 348 mm, width 211 mm

Copyright: Rijks Museum: Open Domain

Editor: This drawing, “Schoolmeester, die een leerling straft” or "Schoolmaster punishing a student," done with pen and ink, is attributed to the Monogrammist VDG from somewhere around 1800 to 1900. It looks, well, harsh. I can almost hear the wails! What's your take on this scene? Curator: Harsh indeed, yet oddly compelling. It speaks of a time so different, yet echoes with something universal about authority and rebellion, doesn't it? I see a stark stage: the grim schoolmaster, that poor lad hoisted on what looks like a most uncomfortable stool, and the chorus of unseen students, surely a mixture of terror and suppressed glee there, no? Look how the artist captured the tautness of the boy's body, and compare that to the rigid posture of the instructor. Do you see the subtle detail in their clothing? It tells us so much, even though the sketch is quite simple. Editor: Absolutely. The textures feel so different. I mean, that waistcoat, that’s fancy, compared to the plain shirts the kids must wear, right? It emphasizes the power imbalance, maybe? Curator: Exactly! Or, maybe even something more… the loneliness of power? Look at his face – is that just anger, or a weariness too? Are you asking if even he is also somehow a victim in this system? Now that is the interesting point in these observations. I find I’m filled with questions about each of them, lost and wandering between cruelty and despair…what are we all guilty of, eh? Editor: Wow, I hadn't thought of it that way. It's not just a funny or sad scene, it's more about…being human. Curator: Indeed, art can have such curious power. It lets us peer through keyholes of history into rooms where people struggle. A simple pen sketch and such complicated humanity, eh? I really appreciate these observations and how they shift a quick reaction to a more critical understanding of the scene depicted in the work. Editor: I will keep digging below the obvious… thanks!

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