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Editor: So, this is Samuel Prout's "Crypt of a Church." It has this really somber feeling, almost like a stage for something dramatic. What's your take? Curator: I see a critique of power embedded within the stones. Consider the church, historically a site of immense control. Prout renders it almost derelict, occupied by a lone figure, seemingly displaced. Who is afforded access to sacred spaces, and on what terms? Editor: That's a powerful reading. I was just thinking about the light. Curator: Yes, consider the play of light and shadow. It emphasizes the cavernous space, perhaps highlighting the church's historical role in creating social divisions and hierarchies. What do you make of the architectural details? Editor: It makes me think more about who gets to take up space and who doesn't. Curator: Exactly. Prout's art becomes a lens through which to examine these power structures.
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