Follis of Maximian, Rome 302 - 303

Editor: Here we have a Follis of Maximian. The artist is Maximianus I Herculius, and the artwork is currently housed at the Harvard Art Museums. The low relief figures seem to project power despite their worn appearance. What do you see in this piece? Curator: The formal elements present a fascinating study in contrast. The texture of the coin is highly degraded, and yet the incised lines describing the Emperor’s profile are remarkably clear. Notice also the relationship between the bust and the inscription encircling it; the two elements function as a closed system, which enhances the coin’s symbolic value. Editor: I see what you mean about the contrast. So the degradation is part of the art? Curator: Indeed. The coin’s materiality—its very existence as a circulated object—is integral to its meaning. The wear and tear speak to the coin’s circulation as a symbol of imperial authority. Editor: That is interesting. I've never thought about the wear on a coin as part of the artistic expression. Thanks!