Three Suffolk Towers by John Piper

Three Suffolk Towers 1958

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Dimensions: support 1: 702 x 375 mm; support 2: 698 x 413 mm; support 3: 800 x 400 mm; frame: 830 x 1304 x 75 mm

Copyright: © The Piper Estate | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is John Piper’s ‘Three Suffolk Towers’. These watercolor studies present such a compelling architectural record. What do you see in Piper's treatment of these structures? Curator: I see Piper engaging with the layered history embedded within these towers. They stand as testaments to community, faith, and power, each brushstroke revealing the socio-political forces that shaped their construction. How do these towers speak to the intersection of art, power, and place? Editor: I hadn't considered the power dynamics. Now I’m seeing them as monuments, each with a unique story. Curator: Precisely. And Piper's romanticized approach invites us to consider how we, too, contribute to these ongoing narratives. Editor: This definitely makes me see them differently. Thanks!

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tate about 2 months ago

http://www.tate.org.uk/art/artworks/piper-three-suffolk-towers-t00494

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tate's Profile Picture
tate about 2 months ago

The three churches, all built with flint, are at Laxfield, Walberswick and Stoke-by-Nayland. Piper drew them while staying nearby at Aldeburgh, rehearsing a Monteverdi opera he had designed for the Aldeburgh Festival. Piper had worked with John Betjeman since before the war on the Shell County Guides, encouraging interest in the architecture of parish churches, which they discovered and described. These drawings were framed together by Piper, who often combined such buildings, sometimes in the same print or design. They were used, along with a fourth drawing of Eye church tower, as an endpaper for the Shell Guide to Suffolk 1960. Gallery label, July 2008