Second assault of Jerusalem by the Crusaders repulsed 1877

Curator: Gustave Doré's pen and ink drawing, "Second Assault of Jerusalem by the Crusaders Repulsed," completed in 1877, presents a dramatic historical scene. Editor: My immediate reaction is of overwhelming defeat. The sky itself seems to weigh down on the toppled siege engines and the defeated crusaders. The use of line to create such a sense of collapse is powerful. Curator: Indeed. Doré was known for his dramatic illustrations. This particular piece reflects the widespread fascination with the Crusades during the 19th century and participates in the construction of those narratives. Notice how the figures of the Crusaders, despite being numerous, seem overwhelmed by the architecture and sheer weight of the city’s defense. Editor: The composition is carefully constructed to emphasize this imbalance. The high horizon line, the diagonal lines of the fallen siege towers – they all funnel our gaze towards the imposing, untouched walls of Jerusalem. The line work is quite extraordinary in conveying texture. Curator: Consider the public perception of the Crusades at the time. They were often romanticized. But Doré here, perhaps subtly, seems to be offering a more nuanced perspective by focusing on this specific failed assault. It invites consideration of the human cost and futility of such endeavors, departing somewhat from pure romanticization. Editor: Absolutely. The artist's skill in varying the density and direction of his lines allows individual details within the mass to emerge: glinting metal on the armors and even distinct faces amidst the chaos. I find a particularly striking contrast between the tightly rendered, almost chaotic foreground and the smoother lines defining the distant city walls. This reinforces the depth of the scene. Curator: This artwork contributes to our understanding of how historical events are visually constructed and interpreted. It demonstrates how artists engage with popular narratives, in this case by subtly questioning prevalent romanticized notions of power and conquest in art made available to mass audiences through engraving. Editor: And for me, Doré's intricate linework reveals a compelling depth in the visual story, transcending the limits of the chosen media to communicate an urgent message. It provides an invitation to dwell longer, look closer, and to appreciate his singular mastery.