Daniel de Superville, directeur van de Frederiks-academie te Erlangen 1740 - 1754
engraving
portrait
medal
baroque
engraving
Dimensions: diameter 4.1 cm, weight 22.19 gr
Copyright: Rijks Museum: Open Domain
Editor: So, this engraving depicts "Daniel de Superville, directeur van de Frederiks-academie te Erlangen," and it dates from somewhere between 1740 and 1754. It's fascinating how the engraver captured such detail on a small, circular surface, especially the lettering. What stands out to you from a formalist perspective? Curator: The composition immediately directs my eye. Observe how the artist utilizes the circular format not merely as a boundary, but as an active element in organizing the portrait on one side, and the dense Latin inscription on the other. The use of a serif typeface further contributes to a sense of classical formality, and notice the considered weight and distribution of letterforms, essential for legibility and visual harmony within the given space. Editor: I hadn’t considered the typography so much. What’s the effect of the portrait’s relief being relatively shallow? Curator: The subdued relief in the portrait, set against the flat inscription, produces a certain dynamic. The textural contrasts—the hair against the smooth plane, the delicate garments—hint at an engagement with the medium, exploring the potential within engraving rather than illusionistic depth. It creates a flatness, compelling the eye to move across the surface, to actively piece together the information, textual and representational, into a cohesive reading of the object. The subtle treatment of light across the engraved face further serves to bring depth where needed, as opposed to overwhelming the shallow work. Editor: That makes a lot of sense. So, for you, the key is how the elements all work together to create a structured, visually engaging piece regardless of subject? Curator: Precisely. The artwork transcends simple representation. Instead, its artistic essence rests in its formal arrangement and the thoughtful exploitation of the medium. Editor: That's a great insight. Thanks for helping me look beyond the surface. Curator: My pleasure. Considering such choices opens up so many pathways in our understanding.
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