Pim gekwetst 1903 - 1910

This is a cyanotype photograph, likely made by Hendrik Doijer around the turn of the 20th century. Cyanotypes are created using iron salts and exposure to ultraviolet light, resulting in that distinctive Prussian blue hue. This particular process, popularized by Anna Atkins in the mid-19th century, was often used for botanical specimens, architectural plans, and even personal snapshots like this one. Think of it as a relatively low-cost and accessible alternative to traditional silver-based photography. Doijer would have coated paper with the chemical solution, placed a negative on top, and then exposed it to sunlight. The areas blocked by the negative would remain white, while the exposed areas turned blue. In this work, the tonal gradations are softer, and the edges are less defined than in a typical silver gelatin print. The result is a more atmospheric and ethereal image. By embracing this alternative process, Doijer engaged with a rich history of experimentation and accessibility in photography, showing us that the means of production can be just as important as the subject being depicted.