Vrouw achter een tafel met een opengeslagen boek, een pen in haar hand by Henri Patrice Dillon

Vrouw achter een tafel met een opengeslagen boek, een pen in haar hand 1884 - 1892

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drawing, pencil

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portrait

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pencil drawn

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drawing

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impressionism

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figuration

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pencil drawing

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pencil

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line

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portrait drawing

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genre-painting

Dimensions: height 300 mm, width 215 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have Henri Patrice Dillon's "Woman Behind a Table with an Open Book, a Pen in Her Hand," created between 1884 and 1892. The medium used is pencil on paper, offering a glimpse into daily life through the lens of impressionism. Editor: First impressions? It feels so immediate, almost like a fleeting thought captured in elegant lines. I’m struck by the posture. She is deeply invested in that task. The simplicity also hints at a kind of intimacy—like a private moment we're not really meant to see. Curator: The work aligns with a broader interest during that period in depicting women engaged in intellectual pursuits, a subtle shift in the representation of women in art. It invites consideration of how education and literacy were perceived for women. It can almost be seen as part of a conversation about emancipation. Editor: Exactly, but also there's something beyond that, the actual moment of creativity or thought, whatever it is, which takes her far away. And her slightly blurred appearance with a mere gesture or shift of light, you know. It is more felt than seen. It captures her not just doing something, but feeling something. Curator: It's fascinating how Dillon uses the pencil medium to create such depth. This suggests not just an observation but a narrative about female intellectualism during this time frame, potentially a commentary on gendered roles, if somewhat restrained. Editor: Perhaps... but more than any heavy handed social commentary, I'm getting something quiet, a still moment. Think of sunlight and shadow catching somebody completely engrossed, only to have you steal their soul without even trying too hard at capturing the details of any given scene! And a very appealing, romantic kind of melancholy. Curator: Yes, precisely. It reminds us how images are both historical documents and deeply personal statements. Editor: So, both an invitation to delve deeper and just savor a small, pretty, forgotten moment of life!

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