The Marriage of the Virgin 1504

Raphael painted this scene of The Marriage of the Virgin in Italy sometime around 1504 with oil on wood. Here we see the formal union of Mary and Joseph set against the backdrop of a grand temple. The symmetry and harmony of the composition are typical of the High Renaissance, reflecting the era's emphasis on order and classical ideals. In its own time, Raphael’s altarpiece would have reinforced the importance of religious institutions within the early 16th century. The temple itself is reminiscent of the centralized designs favored by architects such as Bramante, a nod to the period's architectural renewal and humanist values. But these works also operated within a complex network of patronage and artistic competition. By studying archival documents, such as contracts, letters, and inventories, we can gain a greater understanding of the social and cultural forces that shaped the creation and reception of this magnificent altarpiece.