A View of Brussels from the South, with the Halle Gate at Center; verso: Landscape Sketch 1647 - 1701

Editor: Here we have Daniël Schellinks' "A View of Brussels from the South, with the Halle Gate at Center," created sometime between 1647 and 1701 using pencil. It’s such a delicate cityscape. The architecture is really fascinating. What's your take on this piece? Curator: It’s interesting to consider this drawing not just as a topographical record, but as a deliberate construction. What do you think Brussels, or perhaps Schellinks, was trying to communicate about its civic identity through images like this in the 17th century? Editor: Hmm, maybe a sense of established power, looking at the prominence of the Halle Gate? Was it common to depict cities this way back then? Curator: Exactly. The Halle Gate, acting as both fortification and symbolic entrance, broadcasts authority. Depictions of cities gained traction, certainly, serving purposes beyond mere documentation. They become vehicles for civic pride and economic prospects. It served as advertisement, in a way. The detailed rendering speaks of meticulous administration, wouldn't you say? Editor: Yes, absolutely. And were these images widely available to the public, or mainly for the elite? Curator: Initially, images like this would circulate amongst a wealthier merchant class, perhaps civic leaders or traveling dignitaries. With advancements in printmaking, we start seeing greater dissemination of similar views, reaching wider audiences and shaping broader perceptions of the city. Who held power would, directly or indirectly, have impact on what stories get visually told about the location. Editor: So, in essence, Schellinks’ drawing becomes a visual ambassador for Brussels. I never considered cityscapes in that light before. Thanks! Curator: Indeed. It shows that landscapes and cityscapes were more than pleasant depictions; they actively participated in the political and economic landscapes of the time. A potent reminder about image creation and dissemination.