School, y9, District 3. This was the attendance on December 3, and several children were absent on account of sickness 1915
Dimensions: image: 101 x 127 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Lewis Hine, born in 1874, is known for his poignant photographs. This image, titled "School, y9, District 3. This was the attendance on December 3, and several children were absent on account of sickness," captures a moment in time outside a rural schoolhouse. Editor: It's a world of muted tones, isn't it? There’s something about the starkness of the building against what seems to be a barren landscape that feels almost melancholic. A group of young students stands together. Curator: Absolutely. The schoolhouse itself, with its simple facade, is a potent symbol. The presence of the children adds layers of meaning, evoking themes of education, community, and perhaps even the harsh realities of rural life. The children's clothing and demeanor carry cultural weight. Editor: I notice the teacher is standing in the middle. She looks very calm, doesn't she? Almost like a statue. Curator: Interesting observation. The teacher may embody the enduring role of women as pillars of knowledge. Editor: This photo sparks a lot of thoughts about resilience, and the enduring power of education, in a time when things were probably pretty tough. Curator: I agree.
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http://www.tate.org.uk/art/artworks/hine-school-y9-district-3-this-was-the-attendance-on-december-3-and-several-children-were-p79938
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This object is one of a group of twenty-two black and white photographs in Tate’s collection (Tate P79917–P79938), which all relate to American photographer Lewis Hine’s work for the National Child Labor Committee (NCLC) in the US during the 1910s. Eleven of the photographs are Hine’s own documents of various panels that he made for exhibitions of his work. These combine text, photographs and drawn or painted pictures that provide information about children’s working conditions and use various arguments to suggest that child labour should be reformed or banned. While most primarily focus on the ills of child labour (‘Industry saves at society’s expense’), some highlight instances of recent reforms, extolling their benefits (‘New Orleans conditions: these high standards pay’). The accompanying images on these panels generally include photographs and illustrations of child labourers, as well as maps of America and representations of homes and workplaces. The other ten photographs are prints of pictures that Hine took of working children, some of which are also used in the exhibition panels. Most of these show children within or outside of their workplaces, although some depict related scenes, including one in which a boy attends juvenile court ‘charged with stealing a bicycle’. The photographs vary in size and most incorporate a photocopy of a caption. The captions relating to the photographic images (as opposed to the exhibition panels) often specify a number, such as ‘Neg. #3785’, and state the location in which the picture was taken, the date, and information about the subjects such as their age and profession.
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