drawing, paper, pencil
drawing
impressionism
landscape
etching
figuration
paper
form
pencil
line
Copyright: Rijks Museum: Open Domain
Matthijs Maris sketched this study, including goats, using graphite on paper. The support is gridded, a utilitarian surface more often associated with planning or accounting than fine art. Graphite, essentially mineral carbon, is valued for its ability to leave a mark with minimal pressure. Maris has exploited this quality to create an image that is provisional, almost evanescent. He also used very soft paper, able to take the graphite with ease. These choices reflect the drawing’s status as a study, not a finished work. It is a preparation, a process of working-through. The network of faint grey lines has a special quality of openness, of potential. In this regard, Maris's method can be connected to wider social issues of labor. A great deal of 'work' is left for the viewer to complete. Paying attention to material and process encourages us to appreciate the artistry, even in a seemingly casual sketch like this one. It challenges the distinction between the precious artwork and everyday acts of making.
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