Fun on the Beach by Bernadette Resha

Fun on the Beach 2014

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acrylic-paint

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contemporary

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acrylic

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water colours

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acrylic-paint

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oil painting

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acrylic on canvas

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geometric

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watercolor

Copyright: Bernadette Resha,Fair Use

Curator: So, here we have Bernadette Resha's "Fun on the Beach" from 2014. It’s rendered in acrylic paint, capturing a charming scene. What strikes you first? Editor: It’s wonderfully tactile! I’m immediately drawn to the layered paint, almost like sediment. You can almost feel the grittiness of the sand that appears to be rendered by drybrush and spatter texture. Curator: Absolutely. It's interesting how she takes such a familiar, commonplace subject matter and elevates it through material exploration. Consider how representations of leisure and childhood have shifted over time in art. "Fun on the Beach," viewed from that perspective, might be speaking to the increasing commercialization of leisure, don’t you think? These are toys meant for a constructed experience. Editor: Interesting point. But it's the actual, physical construction of the painting I find compelling, the clear delight in applying the medium. It really underscores the materiality of play itself: building, digging, molding. It seems the painting captures what it is like to engage in sensory creation on the beach through sensory creation with painting. Curator: That's fair, and I see your point about the texture evoking that sensory engagement. Perhaps the artist is commenting on that tension. On one hand, toys represent constructed experiences; on the other, they're tools for unfiltered play, as you mentioned. How does she depict these ready-made elements like shovels, pails, and spoons of consumer culture to be repurposed into simple forms by children? The high-key coloring itself brings forward the way toys stand out against the beige-colored sand. Editor: I love how she employs common items and bright colors and lets the materials themselves communicate those contrasts. What I enjoy the most are the many details left to be found within the paint. Curator: It certainly offers an intriguing commentary on both consumer culture and our innate connection with raw materiality. Thank you for sharing your materialist perspective; it's truly enhanced my understanding. Editor: And thank you. Analyzing through history provides a broader perspective on the narrative beyond the making.

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