Elegantia, of tijdschrift van mode, luxe en smaak voor dames, November 1808, No. 62 : Cornette de Tulle de Berlin... 1808
drawing, print, watercolor
portrait
drawing
figuration
watercolor
romanticism
watercolour illustration
dress
watercolor
Dimensions: height 218 mm, width 120 mm
Copyright: Rijks Museum: Open Domain
Curator: Let’s turn our attention to this print, titled "Elegantia, of tijdschrift van mode, luxe en smaak voor dames," dated November 1808. The anonymous artist presents a fashion plate. Editor: Immediately striking is the understated elegance conveyed by the pastel palette and the carefully modulated line work. The subject seems demure, contained almost. Curator: Fashion plates like this one were crucial in disseminating styles during the Romantic era. This example from "Elegantia" magazine reflects a broader shift toward more slender silhouettes in women's fashion and emphasizes the importance of appearing fashionable for women in society. Editor: Absolutely. The composition, though simple, is masterfully balanced. Notice how the drape of the woman’s redingote draws the eye, creating a gentle, flowing rhythm from the shoulders down to the hem. The textures, suggested through watercolor, give the drawing surprising depth. Curator: Precisely. The redingote itself signals social standing, illustrating access to a particular lifestyle. But also, we can think about gender and status: the woman’s relative power within the limitations of her cultural environment. Editor: The way the fabric bunches behind her, and the soft rendition of light and shadow on the bonnet, gives this image its three-dimensionality despite it being an image in print. This artwork highlights visual and tactile interest as fundamental principles of Romantic art. Curator: Right, but her downcast eyes and covered head suggest not only modesty but potentially constrained agency. The visual rhetoric speaks volumes about acceptable social roles for women at the time. The color choice isn't accidental either; it signals prosperity, in line with themes of 'luxe' as printed right into the journal's title. Editor: An astute observation, and a reminder that art speaks in many subtle registers. Curator: Ultimately, engaging with the artwork this way provides insights into societal norms, power structures, and the historical experience of women. Editor: I agree, and further appreciation lies within the carefully orchestrated design. From an arrangement of line and light emerges far greater significance than its ostensible subject matter may reveal.
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