Schotel van Engels hardgebakken aardewerk, Boch faience fine. by Boch

Schotel van Engels hardgebakken aardewerk, Boch faience fine. c. 1775 - 1810

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ceramic, earthenware

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ceramic

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earthenware

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stoneware

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ceramic

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decorative-art

Dimensions: height 3.6 cm, diameter 37.3 cm, diameter 25.2 cm

Copyright: Rijks Museum: Open Domain

Curator: Here we have a plate, created by Boch, sometime between 1775 and 1810. The piece is crafted from English hard-baked earthenware, with a delicate faience finish. Editor: It's so graceful, isn't it? The soft, cool color palette and the undulating rim lend it a sense of gentle movement. Curator: Precisely. Boch was known for bringing the refined aesthetic of English ceramics to a wider European audience. During this period, there was an interest among the bourgeois in goods manufactured in Great Britain. These pieces offered a form of aspirational cultural capital. Editor: And the floral motifs! Each spray feels thoughtfully placed. The artist’s deliberate decisions really pull one in. Do the different floral clusters hold specific significance? Curator: Likely, yes. Flower imagery during that era was absolutely rife with symbolism. These clusters with accompanying lines suggests a gentle natural order and evoke tranquility and the promise of good things. Editor: Considering how utilitarian the piece is, it is interesting to observe how much beauty and symbolism is imbued in something we would generally use in such mundane environments, especially given its production by a well-known brand, signaling something of elevated cultural refinement in the everyday. What do you make of that? Curator: Well, its production in series shows an early stage in modern cultural commodification. The desire of bourgeois audiences to display an aspirational elevated status becomes inscribed in domestic contexts via this style. That also explains why some pieces can look mass-produced, and it brings into question how different artistic values and production approaches are valued culturally, and their social implications. Editor: Absolutely. It makes one think of all of the tables it's adorned over the years, and the conversations held around it. Curator: Yes, tracing these objects allows us a glimpse into the fascinating interplay between material culture and social history. Editor: Indeed. It shows us that even the simplest dish can offer glimpses into the meanings we assign our daily lives.

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