Stamnos (Mixing Jar) by Syriskos

Stamnos (Mixing Jar) c. 480

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painting, ceramic

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narrative-art

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painting

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sculpture

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greek-and-roman-art

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ceramic

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figuration

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ancient-mediterranean

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ceramic

Dimensions: 38.1 × 45.72 × 14.1 cm (15 ×18 × 5 1/2 in.)

Copyright: Public Domain

Curator: This object, a "Stamnos (Mixing Jar)" from around 480 BC, was crafted by Syriskos. It's fascinating, isn’t it? Made of ceramic, its surface is skillfully painted with figures rendered in the red-figure technique. The narratives seem like domestic scenes. What strikes you most about this jar? Editor: It's incredible how the scenes seem to come alive on a simple clay vessel. I’m intrigued by the contrast of the figures to the black background. The painting appears to illustrate mundane daily activities, like working with textiles. How might the social context surrounding its production and use illuminate our understanding of it? Curator: Well, consider this stamnos as an artifact embedded in a network of production. The clay itself – where was it sourced, and by whom? The firing process was extremely labor-intensive and reliant on skillful mastery of the kiln. The scenes weren’t just decorative; they offered narratives about idealized Greek life, a kind of material propaganda circulating specific values and norms related to gender roles. What purpose did it serve for ancient Greeks? Editor: So it wasn’t simply a pretty object. It communicated meaning related to their labor systems and their everyday life, influencing views on Greek values? Curator: Precisely. Consumption practices reflect cultural status and aspiration. Who owned it? How did their usage reflect societal expectations for entertainment, wealth display and aesthetic tastes? Was it specifically reserved to kraters? The wear and damage tell a silent history of how it was integrated into a domestic setting. Editor: That shifts my view completely. Now, the cracks and repairs become a record of the jar’s journey, an everyday object shaped by material availability, labor dynamics and Greek culture. Curator: Indeed, its materiality becomes an entry point to understand broader socio-economic and cultural practices. Thinking about the stamnos in terms of its creation and its social life allows us to reframe how we view even these ancient art objects.

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