A Lady with Three Attendants in the Rain 1731

Nishikawa Sukenobu’s woodblock print, *A Lady with Three Attendants in the Rain,* transports us to Japan during the Edo period, a time of economic growth, strict social order, and flourishing arts. Sukenobu, working in Kyoto, a cultural center, captured scenes of daily life and the subtle nuances of human interaction. This print depicts a high-ranking woman sheltered from the rain by her attendants. Yet, the scene transcends a simple depiction of social hierarchy. Look at how the rain blurs the background, creating a sense of intimacy and shared experience among the figures. The umbrellas, while functional, also become symbols of protection and perhaps, the burdens of duty. Note the intricate patterns of the kimonos. The patterns are indicative of the wearer's status and personal identity. Sukenobu's art often focused on the beauty and grace of women. But, it also offered a glimpse into their roles and constraints within a highly structured society. The artist seems to ask: how do individuals navigate the delicate balance between personal expression and social expectation?