Untitled 

This charcoal sketch by Craig Mullins captures the raw essence of the human form. It presents a study of a male nude. The head is tilted upwards, the face obscured, drawing our attention to the neck and torso. The upward tilt of the head is a gesture that echoes across centuries. In classical sculpture, a similar pose can represent vulnerability or a reaching towards the divine. Think of depictions of martyrs or heroes in moments of intense emotion. The lack of facial features invites us to project our own emotions onto the figure, turning it into a mirror reflecting our inner selves. This intentional ambiguity engages our collective memory, tapping into archetypal representations of the human condition. Thus, this sketch is not merely a study of anatomy, but an exploration of enduring themes of human existence.