Voorstelling van een man naast zijn gestorven paard tijdens de grote reis naar Bloemfontein by Anonymous

Voorstelling van een man naast zijn gestorven paard tijdens de grote reis naar Bloemfontein 1901

0:00
0:00

photography, albumen-print

# 

landscape

# 

photography

# 

photojournalism

# 

coloured pencil

# 

albumen-print

# 

realism

Dimensions: height 88 mm, width 178 mm

Copyright: Rijks Museum: Open Domain

Editor: This albumen print, titled "Voorstelling van een man naast zijn gestorven paard tijdens de grote reis naar Bloemfontein" and created around 1901, has such a desolate and affecting mood. The stark landscape emphasizes the loss of the horse. I'm curious, what resonates with you most when you look at this piece? Curator: Well, immediately, I see a pointed commentary on the Anglo-Boer War being waged at the turn of the century. The photograph’s matter-of-fact presentation of death, set against the vast emptiness, is precisely the kind of image that found its way into the stereoscopes of middle-class homes. We need to think about its purpose. Was this an objective record, a means of shaping public opinion about the war, or something else entirely? Editor: Shaping public opinion? So, this isn't necessarily about commemorating the horse? Curator: Precisely! Think about who commissioned and distributed such images. Underwood & Underwood were a major player. They weren't simply documenting; they were selling a narrative. This image participates in the larger socio-political theatre of war, attempting to evoke certain responses, whether it be sympathy for the soldier, acceptance of the cost of war, or perhaps even justification for British actions. How do you see the setting functioning here? Editor: The landscape does seem deliberately bleak. Almost theatrical in its emptiness, directing attention solely to the man and his loss. Knowing its potential for propaganda shifts how I understand the emotional weight. Curator: Exactly. It highlights the political context in which art, even photojournalism, is created and consumed. Understanding that shifts our perception. Editor: I never considered how this intimate, tragic scene could also serve a larger, perhaps more manipulative, political function. Thanks! Curator: And I learned that viewing it solely as propaganda is too simple; perhaps this touched on the real costs for soldiers from afar. A useful discussion!

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.