Portret van een vrouw met lint in het haar by O.C. Smith

Portret van een vrouw met lint in het haar 1860 - 1900

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photography, albumen-print

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portrait

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charcoal drawing

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photography

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historical photography

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albumen-print

Dimensions: height 84 mm, width 53 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this is "Portret van een vrouw met lint in het haar" which roughly translates to "Portrait of a Woman with Ribbon in Hair", made sometime between 1860 and 1900 by O.C. Smith. It’s an albumen print. It feels very… contained, you know? The woman looks reserved, almost melancholy. What do you see in this piece? Curator: It whispers secrets, doesn't it? Like a pressed flower in a forgotten diary. I see a yearning, a subtle defiance in the set of her jaw, belied by the delicate ribbon. Those ribbons were more than decoration; they spoke volumes in the rigid language of Victorian society, hinting at marital status, perhaps even a secret admirer. Ever feel like a fly trapped in amber looking at photos from this time? Editor: Definitely. All those unspoken rules... it's fascinating. So, do you think the photograph is trying to tell a specific story, or is it more about capturing a certain…essence? Curator: It's both, I think. Photography at the time was expensive, carefully planned. Each detail, down to the brooch at her throat, has weight. It's less about capturing an impulsive moment and more about constructing a carefully considered presentation of self, designed to outlive the subject. Editor: So, it's like a very elaborate social media profile, Victorian style? Curator: Precisely! Though hopefully less filtered than our modern-day counterparts, although who is to know really? Think of the elaborate constructions needed to produce these images, and that makes them as curated as an Instagram post! I always wonder about her life outside of this portrait. What were her dreams, her joys, her frustrations? Those remain shrouded in the sepia tones, wouldn't you agree? Editor: I do. I learned a lot about portraiture, photography, and social standards through this image. Curator: And hopefully, a sliver of empathy for a woman caught in time, who, beneath the starch and formality, might have been just as complicated and contradictory as we are today.

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