Billingsgate 1859

Editor: Here we have James McNeill Whistler’s etching, Billingsgate. There's a tonal harmony, but the density of line creates a very bustling, almost claustrophobic feel. What strikes you about its composition? Curator: The network of lines articulates a complex interplay of light and shadow. Note the verticality of the masts against the horizontal bridge. Whistler's mark-making, particularly in the water, is gestural. How does the artist’s choice of line affect your experience of space? Editor: I see what you mean about the lines suggesting depth, even though it feels very flat. Thanks! Curator: Indeed. The reduction to essential forms and textures heightens the overall expressiveness. A compelling study of balance and contrast.