Reproductie van zeven tekeningen van de Gildehuizen en het Broodhuis aan de Grote Markt in Brussel by Anonymous

Reproductie van zeven tekeningen van de Gildehuizen en het Broodhuis aan de Grote Markt in Brussel before 1899

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drawing, print, paper, architecture

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drawing

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print

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paper

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cityscape

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academic-art

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architecture

Dimensions: height 212 mm, width 241 mm

Copyright: Rijks Museum: Open Domain

Editor: This is a reproduction print, before 1899, showing drawings of guildhalls and the Breadhouse in Brussels’ Grand Place. The intricate architectural detail is striking, yet the overall composition feels a bit like a catalogue. How would you interpret this work, particularly considering its materials? Curator: From a materialist perspective, it’s fascinating. It's a reproduction, so already distanced from the 'original' artisanal craft of the buildings. We see drawings translated into prints on paper - a mechanized process allowing for wider distribution. It’s not about the unique, handcrafted object, but about accessibility, the democratisation of images. Editor: So, the value shifts from artistic skill to broader access? Curator: Precisely! Consider the social context. Guildhalls represented the power and wealth of specific trades. Reproducing them makes their grandeur available to a wider audience. It potentially fueled a sense of civic pride, or even aspirations. But what about the labour involved in producing these prints? Where were they made, by whom, and under what conditions? That production process gives the artwork an extra layer of value to investigate. Editor: I hadn't thought about the labour of printing, focusing on the guildhalls. It almost feels like a step away from handmade and artisanal craftsmanship toward mass production. Curator: Absolutely. Think about the consumption too. Who was buying these prints, and why? Were they souvenirs, architectural studies, or perhaps tools for promoting urban development? All those questions feed back into its meaning. What do you think about the effect that all the reproduction of these prints had on urban planning at that time? Editor: It really highlights how art isn't just about individual creation but about production and accessibility for mass consumption, too. Curator: Exactly! It encourages us to examine art within its broader economic and social networks.

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