Standing actress resting hand on table, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes by W. Duke, Sons & Co.

Standing actress resting hand on table, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes 1880s

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drawing, print, photography, albumen-print

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portrait

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drawing

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photo restoration

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print

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impressionism

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figuration

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photography

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19th century

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albumen-print

Dimensions: Sheet: 2 1/2 × 1 3/8 in. (6.4 × 3.5 cm)

Copyright: Public Domain

Curator: We are looking at "Standing actress resting hand on table," part of the "Actors and Actresses" series from the 1880s, by W. Duke, Sons & Co. It’s an albumen print, a common photographic process of the time. Editor: There's an undeniable melancholy about this portrait, despite its commercial intent. The sepia tones contribute to a sense of nostalgia and perhaps a forgotten era. The composition strikes me as somewhat awkward, with that table awkwardly placed, right? Curator: Ah, but look at how that table, inscribed with "Cross Cut Cigarettes," establishes a clear spatial relationship! It's a strong diagonal, juxtaposed with the verticality of the actress. The photograph, far beyond simple product promotion, presents a fascinating study of lines and angles. The balance, however unusual to modern eyes, emphasizes geometric relationships over realism. Editor: Yet, consider the actress herself. She's not merely a pretty face; she embodies a symbolic figure. The elaborate headdress, the lace details of the costume, even the languid pose… It is indicative of stage personae. She embodies the idealized female performers of the time, linking this print to societal notions of beauty and performance, you know? This advertisement becomes more than what it seems. Curator: Certainly! It's all about the cultural context! But I am drawn to the light falling across her face, defining her features, a technique used in classical portraiture but deployed here in mass media. The play of light creates depth and volume, essential for the photograph’s formal integrity, and elevates it beyond mere documentation. Editor: Absolutely, I concur. She presents a paradox—both accessible, as part of a widely distributed advertising campaign, and distanced, by her costume that serves a marker for identity and desire. It speaks volumes about our continuous obsession with fame, identity and our long human story in the performing arts. Curator: Ultimately, this seemingly simple piece rewards us through both formal appreciation and exploration of broader cultural narratives. Editor: Agreed. It reveals how even seemingly mundane images can unlock deeper insights into a past age and the dreams it held.

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