print, etching
etching
landscape
linocut print
line
realism
Dimensions: height 187 mm, width 242 mm, height 147 mm, width 201 mm
Copyright: Rijks Museum: Open Domain
Editor: Kees Stoop's "Huis achter haag," from 1987, an etching printed on paper, has this enclosed, almost secretive feeling. The house is so hidden behind the hedge and trees; it makes me wonder what it's like inside. What kind of symbolic reading can we give to this hidden house? Curator: Indeed, the concealment is key. The house, almost a primordial dwelling, screened behind a rhythmic barrier of vertical lines—the hedge—speaks to the psychological weight of boundaries, both physical and psychic. Stoop uses the language of etching to conjure a space of enclosure. Editor: So, it's not just a literal representation of a house but something more? Curator: Precisely. Consider the persistent symbol of the house in dreams and myths – a representation of the self. Here, the "self" is guarded, almost barricaded, suggesting a desire for protection or perhaps isolation. Notice the way the trees lean in, further obscuring the view. The dense lines create a feeling of being watched or surveilled. Editor: It's interesting that you use the word barricaded, considering the date—1987. Were there particular social or political anxieties that might have influenced this? Curator: Absolutely. While it's difficult to say definitively without knowing Stoop's intentions, the late 20th century carried its own anxieties around privacy, security, and the encroachment of the outside world on personal space. The hedge becomes a visual metaphor for these tensions. What do you make of the blank sky above the house? Editor: It adds to the feeling of being cut off, I think. A lack of expansiveness. Curator: An apt observation! Stoop masterfully uses visual elements to evoke feelings of containment and introspection. We began by considering visual elements in a realist manner, now it is interesting to consider how symbols can carry cultural memory, offering insights into both personal and collective states of mind. Editor: That's a compelling point of view, I never would have interpreted those linear aspects like that. Thanks for making it so much more multi-layered for me.
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