Gedenkpenning met het standbeeld van Coster in Haarlem, 1856 by Emrik & Binger

1856

Gedenkpenning met het standbeeld van Coster in Haarlem, 1856

Emrik & Binger's Profile Picture

Emrik & Binger

@emrikbinger

Location

Rijksmuseum

Listen to curator's interpretation

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Curatorial notes

Curator: The stark contrast of this monochrome print immediately strikes me; there's a severity to it, an almost...legalistic tone. Editor: Yes, it does feel quite official. This is "Gedenkpenning met het standbeeld van Coster in Haarlem," or a commemorative medal with the statue of Coster in Haarlem. It was created in 1856 by Emrik & Binger. You'll notice it uses the engraving technique on metal, with a print reproduction for wider distribution. It commemorates Laurens Janszoon Coster, who some credit as the inventor of printing with movable type. Curator: The statue depicted evokes classical authority, right down to the toga and pose. He is enshrined by the Neoclassical aesthetic, reinforcing his myth. What's especially intriguing to me is the radiant burst on the reverse—almost divine light emanating from the text. It echoes older iconographies, giving the act of printing an almost sacred quality. Editor: Absolutely. The coinification of Coster elevates him, almost legitimizing this regional claim of inventing the printing press, directly challenging Gutenberg's widespread recognition. Look at the positioning in the composition and where it was made; it certainly underlines the complex interplay of national pride and historical narrative. Curator: The act of engraving itself, the meticulous labor of cutting into metal, then multiplied through printing, connects deeply with the painstaking process of early printing. It’s a powerful resonance across media. You see a dialogue across eras embedded within this seemingly simple piece. Editor: That connection with craft also makes the medal itself into a symbolic tool, carrying cultural value. Consider that the Rijksmuseum's acquisition reinforces a Dutch understanding and propagation of its printing legacy through these objects. Curator: I am struck how a small object encapsulates such grand questions of origin and legacy. It showcases art and icon making itself involved in history-telling. Editor: Indeed, this little token is a complex document shaped by powerful cultural forces of its time. A tiny emblem holding national history aloft.