Agra, the Taj from the River 1863 - 1866

Editor: This photograph, "Agra, the Taj from the River" by Samuel Bourne, captures the Taj Mahal in stunning detail. The still water creates a beautiful reflection, almost doubling the monument. What sociopolitical tensions might be present in a Western photographer capturing this monument? Curator: Bourne's photograph exists within a complicated colonial framework. As a British photographer, Bourne's gaze arguably objectifies the Taj Mahal, transforming it into a symbol of British control and power in India. Consider the power dynamics at play, who is seeing, and who is being seen? Editor: That's a perspective I hadn't considered. So, it's not just a beautiful image, but also a statement about colonial power? Curator: Precisely. The photograph’s aesthetic appeal masks underlying power structures, influencing how viewers perceive India and its architectural heritage. Editor: Thank you. I will never look at this photograph the same way again.